Gustav Klimt’s Mysterious, Last Portrait Breaks Record With $108.4 Million Sale

A Gustav Klimt portrait of a mysterious seminude woman clutching a hand fan and standing against a colorful wall of dragons and flowers sold Tuesday for $108.4 million at Sotheby’s London, setting a record for any artwork auctioned in Europe.

The 1917-1918 “Lady with a Fan” surpassed both of Europe’s previous titleholders, including the $104 million paid by billionaire Lily Safra in 2010 for Alberto Giacometti’s spindly bronze sculpture, “Walking Man I,” and the $80.4 million painting record previously set in 2008 by Claude Monet’s 1919 canvas, “Water Lily Pond.” 

“Lady with a Fan” also topped the $104.6 million paid for the artist’s 1903 landscape, “Birch Forest,” which was bought by an anonymous buyer last year. 

The identity of the woman holding the fan remains a mystery, but she likely stood out because the canvas is considered the artist’s final portrait. The work was found sitting on the easel of his studio when he died at age 55 in 1918.

Sotheby’s only expected “Lady with a Fan” to sell for around $80 million, but four bidders pushed it far higher. Adviser Patti Wong won the work following a 10-minute bidding war for one of her clients in Hong Kong, she confirmed after the sale. 

The painting fell shy of breaking the artist’s overall record, which cosmetics executive Ronald Lauder set in 2006 when he paid $135 million for Klimt’s restituted “Portrait of Adele Bloch-Bauer I,” a shimmering portrait of a woman surrounded by golden-flecked patterns. That restituted painting, which became the subject of a 2015 film, “Woman in Gold,” is now displayed at New York’s Neue Galerie.

The Austrian symbolist was best known for his sensual portraits of lanky, glamorous women whose postures or modern attire marked a departure from the stiffer, salon-style portraits of women that preceded him. His 1907-08 masterpiece, “The Kiss,” depicts an embracing couple dressed in a riot of patterned fabric. It hangs in Vienna’s Belvedere museum.

Few of his portraits still circulate in today’s marketplace, which likely added to the appeal of “Lady with a Fan.” 

The “lady” depicted in the work remains anonymous. Curators surmise she was a model he hired for the job, rather than an Austrian socialite like Bloch-Bauer, because the woman depicted agreed to pose in the nude, her figure obscured by an off-shoulder kimono and hand fan. 

It’s also unclear if the swirl of lotus flowers and birds behind her represent a tapestry, wallpaper or Klimt’s own imagined pattern; the artist was known to admire Japanese motifs.

The sale may go a long way toward underscoring the resilience of the trophy art market despite the fresh shakiness of the art market overall. Klimt remains one of a handful of artists who tend to command top prices in good markets and bad, dealers said. Last month, Klimt’s watery scene, “Insel im Attersee,” sold for $53.2 million to a Japanese collector.

Write to Kelly Crow at [email protected]